3-year Traveling
Exhibition Through
America, Canada
& Korea (1998-2000)
Curator's Foreword to the Exhibition Catalogue
I am very pleased to stage this exhibition of "The Contemporary Young Korean
Metal Arts Invitational: 3-Year Traveling Exhibition Through America, Canada
& Korea."
The nearly 80 representative works in this exhibition include small Wearable
Arts, Sculpture, Decorative and Table-top Functional Objects. This international
exhibition is significant not only because of the outstanding quality of
the metal works, but also because these prominently accomplished young
Korean metal artists have been practicing and/or teaching actively in their
field for over 10 years.
Their works show strong aesthetic expressions and technical capabilities
representing the "cutting edge" of metal work. While the artists' works
display their individualism and diversity, one can sense strong Korean
sensitivities in their expressions, whether they are living in Korea, Canada
or in America. Through this exhibition, one can sense the message of their
concepts, elements, techniques and expressions interestingly integrating
Korean/Asian approaches and Western flair to unite dynamic cross-cultural
aesthetic values. Their styles are indeed international, and yet very Korean
in their analytical concepts, strong ambition/will power and philosophy.
These artists are highly educated, as most hold Masters of Fine Arts degrees
from Korea, Japan or the United States. This show promises to be exciting
and noteworthy.
The exhibition will illustrate contemporary concepts of young Koreans'
sophistication, luxury, and rich artistic expressions. I believe these
artists' works will become the heirlooms of tomorrow in Korea as well as
for Koreans living in America and Canada.
As the organizer and curator of this international exhibition, I selected
artists who are ambitious, well trained, and cosmopolitan-minded, with
strong individual values and sensitivities. As a Korean-American with an
advanced education in both countries, I have had the unique opportunity
and pleasure of teaching and/or observing them as a Senior Fulbright Exchange
Professor to Korea from 1982-1983 and 1994-1995, as well as on other occasions
such as conducting seminars, workshops and solo exhibitions in Korea. I
highly value the educational accomplishments and professional endeavors
of these artists. This special exhibition will highlight the Korean/Asian
influence in the Metal Arts community in America and Canada as well as
in Korea.
Komelia Hongja Okim
Coordinator
& Curator
Professor
of Arts in Jewelry & Metalsmithing
Montgomery
College, Rockville, Maryland, USA